|Yvette Bessels and her camera|
This may seem like just desserts by those HBNers who took part in the portrait Photoshoot that I organised a couple of weeks ago. There, they had to pose, smile, answer my every whim as I lorded it behind the camera.
The activity aroused in me a desire to have my portrait taken too. But not just any portrait! No, I had set it in my mind to have mine taken using a technique that would have been familiar to Isambard Kingdom Brunel in the late 1800s, wet plate colloidon photography.
The idea had become ingrained in my mind when I met Yvette Bessels at a Cambridge Bloggers meeting and heard that this was her photography interest. We arranged to meet up for a photo shoot on a sunny day and the graveyard on Histon Road, near her house, was a convenient location.
|The set in Histon Road graveyard|
With our HBN photoshoot, I took hundreds of pictures over two hours. There are subtle nuances and emotions flashing across the faces of the sitters. You want to capture the best one.
We spent 3h in the graveyard and exposed 5 plates, of which three were exposure tests as we moved around. The most difficult aspect is posing absolutely still. Ideally, Yvette would like to have a head brace to keep the sitter still. The longest time I posed was 20 seconds in the shade. The final picture was taken deliberately as the sun when behind cloud – it was bright enough for a “short” 6 second exposure, but not too bright to make me squint.
Composition was far more important with these photos that in the studio shots. I wanted to make this photograph count! So I reverted to the 19th century still pose with some items that are of importance to me and my work.
Even when we had finished and obtained a well exposed and developed plate, the process was not over. I waited three days as Yvette carefully dried the plate and varnished the plate.
I collected the photograph on Saturday and was pleased with the final result. The plate can be viewed as a negative with light shining through it. Alternatively, if backed by a black glass plate, it gives a positive image.
I photographed both negative and positive views. Glass can break, so I also created a digital positive from the negative plate, the final image in my online album.
|The final portrait after digital capture and editing.|
Thirsty after our photoshoot, we wandered to the nearby pub, The Grapes, as the friendly publican Sandy had let me park there.
Coincidence 1: I plonked my box on the ground near the bar and a man seated there turned round and asked “What sort of microscope is that?”. I answered Bob, after we were introduced, that it was a Watson.
Coincidence 2: We explained that we had been doing some old style photography. “Oh, glass plates? I used to do that at school”, was his reply and a discussion on photography ensued.
Coincidence 3: I asked Bob what he did. “I’m in life sciences”, – something that I had been working in for over two decades before my present business.